FIELD KIT : MANIFEST


CAMERA & LENSES

Canon EOS R5

The warhorse. Mirrorless brain with enough megapixel power to capture every wrinkle in a pair of plastic fatigues. Maybe a bit of overkill, but in the field it buys me a little forgiveness when my hands are shaky and the battle gets hairy.


Canon RF 50mm f/1.2 L USM Lens

The knife-fight lens. Fast, dangerous, and sharp as hell. My go-to lens of late, hasn’t let me down yet. Doubt it ever will.


Canon EF 135mm f/2L USM Lens

The sniper glass. Long reach, locks focus like a true pro. Makes even a cluttered alley feel like a shooting range. Perfect for shots where the subjects don’t even know they’re being scoped.


Canon EF 100mm f/2.8L Macro IS USM Lens

The autopsy tool. Macro stabilization lets me crawl into the cracks, find the deeper story. Gets me so close I can taste the action.


Sigma 35MM F1.4 DG HSM ART

Streetfighter glass. Wide enough to pull the whole scene, fast enough to keep up when things get messy. Gives the world that cinematic range I can’t fake with anything else.


Sigma 14-24MM F2.8 DG HSM ART

The wide hammer. Eats space, pulls in distance, surprisingly little distortion. Perfect when I want to capture the whole battle, even the sneaky assassins on the periphery.


Laowa 24 mm F/14 2X Macro Probe Lens

The snake. Slithers into tight areas no other lens dares. Through wreckage, into crevices, and gets up close and personal with the personnel. Not the prettiest of hardware, always demands more light, but the tradeoff is...nothing gets me closer.


CAMERA GEAR

Manfrotto 055 Aluminum TRIPOD

The anchor. Heavy, stubborn, doesn’t quit. Keeps the frame steady when the wind or my nerves won’t.


Manfrotto 410 Junior Geared Tripod HEAD

The scalpel. Moves slow, precise, no wasted motion. When the shot’s gotta be dead-on, this is the iron hand that holds steady and locks it in with deadly precision.